Looking For Richard movie review (1996)

“All the characters!” Pacino exclaims at one point. “Who can keep it straight?” His quick-witted documentary deals frankly with the problems of performing Shakespeare, but it also treats the work with respect and love. Going in, I expected some kind of popular vulgarization. Coming out, I had learned a lot about Richard, about Shakespeare, and about the choices that must be made in producing a play. “Looking for Richard” is not a film version of the play about Shakespeare's hunchbacked villain. (For that, you can consult Laurence Olivier's 1955 version, or Ian McKellen's 1995 film that transposed the action to a neo-Nazi 1930s England). If you add up all the line readings and scene snippets and occasional extended sequences, Pacino and his fellow actors do succeed in performing perhaps a fourth of the play, but their acting is mostly for the purposes of discussion and demonstration: This is a film about how to act and produce Shakespeare. It is also, not incidentally, a documentary about some days in the life of an actor who loves his craft and brims with curiosity and good humor.

The camera follows Pacino for months or even years (his hair grows and is cut, his beard appears and disappears) as he discusses “Richard III” in workshops and coffee shops, in Central Park and inside Shakespeare's birthplace in Stratford-upon-Avon (where the crew sets off a fire alarm).

He enlists many other actors in his ongoing seminar; we see Alec Baldwin, Estelle Parsons, Aidan Quinn, John Gielgud, Kenneth Branagh, Kevin Spacey, James Earl Jones, Vanessa Redgrave and Winona Ryder as Lady Anne (she and Pacino do the audacious scene where Richard murders Anne's husband and then proposes marriage to her as she accompanies the dead body to the grave).

The actors are honest enough to admit that Shakespeare is an acquired taste. Familiarity with the words on the page and some experience in seeing stage and film productions will eventually allow any intelligent person to appreciate that Shakespeare is the greatest of all authors, but at first he can be discouraging and bewildering. Kevin Kline, who has played many Shakespeare roles, confesses that his first exposure came at a performance of “King Lear” during which he made out with his girlfriend and they left at intermission. One of the wonderful things about Shakespeare is that many of his own characters might have done the same.

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